Music and Drama Centers - index
Music and Drama Centers - ufc_4_740_08an0001
Unified Facilities Criteria (UFC) - ufc_4_740_08an0002
Foreword - ufc_4_740_08an0003
Foreword - Continued - ufc_4_740_08an0004
List Figures - ufc_4_740_08an0007
List Figures - Cont'd - ufc_4_740_08an0008
List Figures - Cont'd - ufc_4_740_08an0009
List of Table
Foreword - ufc_4_740_08an0011
Chapter 1 Introduction - ufc_4_740_08an0012
Purpose - ufc_4_740_08an0013
Use of Reference Material
Figure 1-5. 1 Correlated References
Key Participants
Figure 1-16 The MCA Process
Construction Service
Chapter 2 Program and Planning
Chapter 2 Program and Planning - Cont'd
Introduction - ufc_4_740_08an0021
Establishing Program Goals
Program Emphasis
Selecting Activities
Table 2-41 Performing Arts Activities Categories
Apply Goals
Figure 2-41 Nalysis of Activity Priorities
Table 2-42 Minimum Activity Standard Per Quarter
Selecting the Site - ufc_4_740_08an0029
Figure 2-51 Location Consideration Installation Mater Plan
Figure 2-52 Typical Site Analysis Diagram
Establishing Project Requirements - ufc_4_740_08an0032
Functional Planning
Figure 2-81 Actmty Centers
Figure 2-82 Process Relationships Notation
Figure 2-83 Space Allocation Notation
Site Planning
Figure 2-91 Site Planning
Environmental System Planning
Table 2-101 Environmental Systems Planning Information Needed
Interior Planning
Figure Interior Planning
Operating Manual/Users Guide
Chapter 3 Design
Chapter 3 Design - Cont'd
Introduction - ufc_4_740_08an0046
Table 3-11 order of Considerations
Figure 3-21 Room Characteristics External Relationships
Figure 3-22 Room Characteristics External Relationships
Figure 3-2.3 Audience - Performer Arrangements
Figure 3-2.4 rooms Forms: Probable Choices
Large-Scale Room
Figure 3-2.5 Capacity
Figure 3-2.6 Audience Seating Preferences
Figure 3-3.1 Acting Area Zone
Figure 3-3.2 Distance and Detail
Figure 3-3.3 Drama Room Shaped For Vision
Music Room Qualities
Figure 3-4.1 Sound Wave Enclosed Space
Figure 3-4.2 Intimacy
Figure 3-4.3 Abberations
Figure 3-4.4 Music Room Shaped For Hearing
Figure Seating Area Units
Figure 3-5.2 Conventional vs. Continental Seating
Figure 3-5.4 Plan Curvature
Figure 3-5.6 Large House Problems
Figure 3-5.7 Larger House Subdivisions
Figure Sound Distribution Function
Figure 3-5.10 Frequency Selective Reflection
Figure 3-5.11 Small Music Room Considerations
Figure 3-5.13 Balconies Music or Drama
Functional Requirements
Figure 3-6.1 Drama Stage
Figure 3-6.2 Dance Stage
Figure 3-6.3 Music Drama 50 ft. Proscenium Stage Grand Opera 70 ft. Proscenium Stage
Figure 3-6.4 Orchestral Choral Stage
Choral
Figure 3-7.1 Four Kinds of Single Purpose Rooms
Figure 3-7.2 The Multi Use Room
Figure 3-7.3 The Multi Use Stage
Figure 3-7.4 Drama Room-300 Seat
Figure 3-7.5 Drama Room-650 Seat
Figure Music Room 650 Seat
Legitimate Drama
Figure Music Room 1400 Seat
Accessory Equipment
Figure 3-8.1 Non-Frontal Room
Classification of Accessory Facilities
Stagehouse Lighting
Figure 3-8.2 Lighting Positions
Figure 3-8.3 Stagehouse Accessories Vision Related
Fire Curtain
Hearing Related Accessories
Enclosures and Shells
Figure 3-8.4 Stagehouse Accessories Hearing Related
Electronics and Sound Systems
Monitoring and Control
Figure 3-9.1 Access Systems Audience
Audience Access
Figure 3-9.2 Access Systems Performers
Scenery Access
Figure 3-9.3 Access Systems Technicians
Horizontal Access
Figure 3-9.4 Access Systems Scenery
Mechanical System Factors
Figure 3-10.1 HVAC Systems
Performance Support
Table 3-11.1 Typical Cast and Crew Sizes
Figure 3-11.1 Performers Traffic Patern
Tecnical Facilities
Performance Support Space Allocation
Basic Drama Support
Recommended Additional Music Support
Touring Group Accommodations
Audience Support
Staff Functions
Figure 3-13.1 Audiences Traffic Pattern
Figure 3-13.2 Arrival Characteristics
Figure 3-13.3 Intermission and deperature Characteristics
Audience Support Space Allocation
Figure 3-14.1 Typical Free and Paid Zone Allocations
Composite Building Programs
Figure 3-15.1 300 Seat Drama Hall
Improve Funtioning Facilities
Figure 3-15.3 300 Seat, Drama Hall
Figure 3-15.6 650 Seat, Drama Hall
Dual Facilities
Figure 3-15.9 Dual Use Facility
Figure 3-15.10 Dual Use Facility2
Chapter 4 Technical Packages
Figure 4.11 Ceiling and Sidewall Slots
Figure 4-12 Follow Spot Elevation/Four Spot Booth Plan
Figure 4-1.3
Table 4-1.1 Stage Lighting Requirements
Table 4-1.1 Stage Lighting Requirements - Cont'd
Scenery and Softgoods
Figure 4-3.1 Gridiron Rigging
Table 4-3.1 typical Line Sets Needed
Figure 4-3.2 Traps
Figure 4-3.3 Pit Infill Method
Figure Orchestrapit Set-Ups
Figure 4-4.1 Sample Noise Source Intensity Levels
Figure 4-4.2 Preferred Noise Criteria
Figure 4-4.4 Sound Frequency Characteristics
Figure 4-4.6 Reverberation Appropriate to Performance Type
Figure 4-4.8 Volume Estimate for Typical Designs
Figure 4-4.9 Reverberation Time Comparison
Figure 4-4.11 Mento Scientist Translation System
Sound Reinforcement
Figure 4-5.1 Intercommunications
Production Communications
Table 4-5.1 Suggested Audio/Communications Equipment
Figure 4-5.2 Sound System Equipment Specified for A 1200 Seat Musical Drama Open Stage
Figure 4-6.1 Lightweight Stage Grid
Figure 4-6.3 Typical Corrective Measure for Noise Control
Figure 4-6.5 Typical Sound Transmission Losses
Figure 4-6.5 Typical Sound Transmission Losses - Cont'd
Figure 4-6.6 Wall and Partition Construction, Noise Control
Figure 4-6.8 Door Construction, Noise Control
Production Support
Figure 4-7.1 List of Tools and Shop Equipment
Chapter 5 Illustrative Examples - ufc_4_740_08an0162
Introduction - ufc_4_740_08an0163
The Intimate Room
The Intimate Room - Cont'd
A Small Dance Theater
A Small Dance Theater - Cont'd
Music and Dance Together
Music and Dance Together - Cont'd
Two Small Frontal Rooms
Two Small Frontal Rooms - Cont'd - ufc_4_740_08an0171
Two Small Frontal Rooms - Cont'd - ufc_4_740_08an0172
Two Small Frontal Rooms - Cont'd - ufc_4_740_08an0173
Thrust Form in A Mivie House
Thrust Form in A Mivie House - Cont'd
A Multi-Form Theater
A Multi-Form Theater - Cont'd
A Larger Playhouse
A Larger Playhouse - Cont'd - ufc_4_740_08an0179
A Larger Playhouse - Cont'd - ufc_4_740_08an0180
A Larger Playhouse - Cont'd - ufc_4_740_08an0181
The Vital Context
The Vital Context - Cont'd
A Rectical Hall
A Rectical Hall - Cont'd
Traditional Concert Hall
Traditional Concert Hall - Cont'd
A Surround Concert Hall
A Surround Concert Hall - Cont'd - ufc_4_740_08an0189
A Surround Concert Hall - Cont'd - ufc_4_740_08an0190
A Surround Concert Hall - Cont'd - ufc_4_740_08an0191
Two Dual Facilities
Two Dual Facilities - Cont'd - ufc_4_740_08an0193
Two Dual Facilities - Cont'd
Two Dual Facilities - Cont'd - ufc_4_740_08an0195
Two Dual Facilities - Cont'd - ufc_4_740_08an0196
Two Dual Facilities - Cont'd - ufc_4_740_08an0197
United States Army
Music and Drama Centers - ufc_4_740_08an0001
Unified Facilities Criteria (UFC) - ufc_4_740_08an0002
Foreword - ufc_4_740_08an0003
Foreword - Continued - ufc_4_740_08an0004
List Figures - ufc_4_740_08an0007
List Figures - Cont'd - ufc_4_740_08an0008
List Figures - Cont'd - ufc_4_740_08an0009
List of Table
Foreword - ufc_4_740_08an0011
Chapter 1 Introduction - ufc_4_740_08an0012
Purpose - ufc_4_740_08an0013
Use of Reference Material
Figure 1-5. 1 Correlated References
Key Participants
Figure 1-16 The MCA Process
Construction Service
Chapter 2 Program and Planning
Chapter 2 Program and Planning - Cont'd
Introduction - ufc_4_740_08an0021
Establishing Program Goals
Program Emphasis
Selecting Activities
Table 2-41 Performing Arts Activities Categories
Apply Goals
Figure 2-41 Nalysis of Activity Priorities
Table 2-42 Minimum Activity Standard Per Quarter
Selecting the Site - ufc_4_740_08an0029
Figure 2-51 Location Consideration Installation Mater Plan
Figure 2-52 Typical Site Analysis Diagram
Establishing Project Requirements - ufc_4_740_08an0032
Functional Planning
Figure 2-81 Actmty Centers
Figure 2-82 Process Relationships Notation
Figure 2-83 Space Allocation Notation
Site Planning
Figure 2-91 Site Planning
Environmental System Planning
Table 2-101 Environmental Systems Planning Information Needed
Interior Planning
Figure Interior Planning
Operating Manual/Users Guide
Chapter 3 Design
Chapter 3 Design - Cont'd
Introduction - ufc_4_740_08an0046
Table 3-11 order of Considerations
Figure 3-21 Room Characteristics External Relationships
Figure 3-22 Room Characteristics External Relationships
Figure 3-2.3 Audience - Performer Arrangements
Figure 3-2.4 rooms Forms: Probable Choices
Large-Scale Room
Figure 3-2.5 Capacity
Figure 3-2.6 Audience Seating Preferences
Figure 3-3.1 Acting Area Zone
Figure 3-3.2 Distance and Detail
Figure 3-3.3 Drama Room Shaped For Vision
Music Room Qualities
Figure 3-4.1 Sound Wave Enclosed Space
Figure 3-4.2 Intimacy
Figure 3-4.3 Abberations
Figure 3-4.4 Music Room Shaped For Hearing
Figure Seating Area Units
Figure 3-5.2 Conventional vs. Continental Seating
Figure 3-5.4 Plan Curvature
Figure 3-5.6 Large House Problems
Figure 3-5.7 Larger House Subdivisions
Figure Sound Distribution Function
Figure 3-5.10 Frequency Selective Reflection
Figure 3-5.11 Small Music Room Considerations
Figure 3-5.13 Balconies Music or Drama
Functional Requirements
Figure 3-6.1 Drama Stage
Figure 3-6.2 Dance Stage
Figure 3-6.3 Music Drama 50 ft. Proscenium Stage Grand Opera 70 ft. Proscenium Stage
Figure 3-6.4 Orchestral Choral Stage
Choral
Figure 3-7.1 Four Kinds of Single Purpose Rooms
Figure 3-7.2 The Multi Use Room
Figure 3-7.3 The Multi Use Stage
Figure 3-7.4 Drama Room-300 Seat
Figure 3-7.5 Drama Room-650 Seat
Figure Music Room 650 Seat
Legitimate Drama
Figure Music Room 1400 Seat
Accessory Equipment
Figure 3-8.1 Non-Frontal Room
Classification of Accessory Facilities
Stagehouse Lighting
Figure 3-8.2 Lighting Positions
Figure 3-8.3 Stagehouse Accessories Vision Related
Fire Curtain
Hearing Related Accessories
Enclosures and Shells
Figure 3-8.4 Stagehouse Accessories Hearing Related
Electronics and Sound Systems
Monitoring and Control
Figure 3-9.1 Access Systems Audience
Audience Access
Figure 3-9.2 Access Systems Performers
Scenery Access
Figure 3-9.3 Access Systems Technicians
Horizontal Access
Figure 3-9.4 Access Systems Scenery
Mechanical System Factors
Figure 3-10.1 HVAC Systems
Performance Support
Table 3-11.1 Typical Cast and Crew Sizes
Figure 3-11.1 Performers Traffic Patern
Tecnical Facilities
Performance Support Space Allocation
Basic Drama Support
Recommended Additional Music Support
Touring Group Accommodations
Audience Support
Staff Functions
Figure 3-13.1 Audiences Traffic Pattern
Figure 3-13.2 Arrival Characteristics
Figure 3-13.3 Intermission and deperature Characteristics
Audience Support Space Allocation
Figure 3-14.1 Typical Free and Paid Zone Allocations
Composite Building Programs
Figure 3-15.1 300 Seat Drama Hall
Improve Funtioning Facilities
Figure 3-15.3 300 Seat, Drama Hall
Figure 3-15.6 650 Seat, Drama Hall
Dual Facilities
Figure 3-15.9 Dual Use Facility
Figure 3-15.10 Dual Use Facility2
Chapter 4 Technical Packages
Figure 4.11 Ceiling and Sidewall Slots
Figure 4-12 Follow Spot Elevation/Four Spot Booth Plan
Figure 4-1.3
Table 4-1.1 Stage Lighting Requirements
Table 4-1.1 Stage Lighting Requirements - Cont'd
Scenery and Softgoods
Figure 4-3.1 Gridiron Rigging
Table 4-3.1 typical Line Sets Needed
Figure 4-3.2 Traps
Figure 4-3.3 Pit Infill Method
Figure Orchestrapit Set-Ups
Figure 4-4.1 Sample Noise Source Intensity Levels
Figure 4-4.2 Preferred Noise Criteria
Figure 4-4.4 Sound Frequency Characteristics
Figure 4-4.6 Reverberation Appropriate to Performance Type
Figure 4-4.8 Volume Estimate for Typical Designs
Figure 4-4.9 Reverberation Time Comparison
Figure 4-4.11 Mento Scientist Translation System
Sound Reinforcement
Figure 4-5.1 Intercommunications
Production Communications
Table 4-5.1 Suggested Audio/Communications Equipment
Figure 4-5.2 Sound System Equipment Specified for A 1200 Seat Musical Drama Open Stage
Figure 4-6.1 Lightweight Stage Grid
Figure 4-6.3 Typical Corrective Measure for Noise Control
Figure 4-6.5 Typical Sound Transmission Losses
Figure 4-6.5 Typical Sound Transmission Losses - Cont'd
Figure 4-6.6 Wall and Partition Construction, Noise Control
Figure 4-6.8 Door Construction, Noise Control
Production Support
Figure 4-7.1 List of Tools and Shop Equipment
Chapter 5 Illustrative Examples - ufc_4_740_08an0162
Introduction - ufc_4_740_08an0163
The Intimate Room
The Intimate Room - Cont'd
A Small Dance Theater
A Small Dance Theater - Cont'd
Music and Dance Together
Music and Dance Together - Cont'd
Two Small Frontal Rooms
Two Small Frontal Rooms - Cont'd - ufc_4_740_08an0171
Two Small Frontal Rooms - Cont'd - ufc_4_740_08an0172
Two Small Frontal Rooms - Cont'd - ufc_4_740_08an0173
Thrust Form in A Mivie House
Thrust Form in A Mivie House - Cont'd
A Multi-Form Theater
A Multi-Form Theater - Cont'd
A Larger Playhouse
A Larger Playhouse - Cont'd - ufc_4_740_08an0179
A Larger Playhouse - Cont'd - ufc_4_740_08an0180
A Larger Playhouse - Cont'd - ufc_4_740_08an0181
The Vital Context
The Vital Context - Cont'd
A Rectical Hall
A Rectical Hall - Cont'd
Traditional Concert Hall
Traditional Concert Hall - Cont'd
A Surround Concert Hall
A Surround Concert Hall - Cont'd - ufc_4_740_08an0189
A Surround Concert Hall - Cont'd - ufc_4_740_08an0190
A Surround Concert Hall - Cont'd - ufc_4_740_08an0191
Two Dual Facilities
Two Dual Facilities - Cont'd - ufc_4_740_08an0193
Two Dual Facilities - Cont'd
Two Dual Facilities - Cont'd - ufc_4_740_08an0195
Two Dual Facilities - Cont'd - ufc_4_740_08an0196
Two Dual Facilities - Cont'd - ufc_4_740_08an0197
United States Army
