DG 1110.3.120
DESIGN GUIDE: MUSIC AND DRAMA CENTERS
JANUARY 1981
LIST OF FIGURES
LIST OF FIGURES
PAGE
Introduction
Chapter 1
The MCA Process
1-6.1
1-7
Program and Planning
Chapter 2
Analysis of Activity Priorities
2-9
2-4.1
2-12
2-5.1
Location Considerations-Installation Master Plan
2-13
2-5.2
Typical Site Analysis Program
2-16
2-8.1
Activity Centers
Process Relationships Notation
2-17
2-8.2
2-18
Space Allocation Notation
2-8.3
Site Planning
2-9.1
2-20
Interior Planning
2-24
2-11.1
Design
Chapter 3
3-5
Room Characteristics: External Relationships
3-2.1
3-6
Room Characteristics: Internal Relationships
3-2.2
3-7
3-2.3
Audience-Performer Relationships
3-8
Room Forms: Probable Choices
3-2.4
3-10
3-2.5
Capacity
Acting Area Zone
3-12
3-3.1
Distance and Detail
3-13
3-3.2
3-3.3
Drama Room-Shaped for Vision
3-14
3-16
3-4.1
Sound Wave in Enclosed Space
3-17
3-4.2
Intimacy
3-18
3-4.3
Abberations
3-19
3-4.4
Music Room-Shaped for Hearing
3-20
Seating Area Units
3-5.1
3-21
Conventional vs. Continental Seating
3-5.2
Plan Definition of Frontal Seating
3-21
3-5.3
Plan Curvature
3-5.4
3-22
Floor Slope-Sightline Relationships
3-22
3-5.5
3-23
Large House Problems
3-5.6
Larger House Subdivisions
3-24
3-5.7
Sound Distribution Function
3-25
3-5.8
3-25
Direct and Reflected Sound
3-5.9
3-26
Frequency Selective Reflection
3-5.10
3-27
Small Music Room Considerations
3-5.11
3-27
3-5.12
Larger Music Room Considerations
Balconies-Music or Drama
3-28
3.5.13
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